Most shows could not be described as simultaneously silly and intelligent, but Centerstage Theatre’s production of the musical “Something Rotten!” is one of them. Whether you’re in the mood for ridiculous shenanigans or rich allusions, “Something Rotten!” offers all that and then some.
Under Alyson Soma’s direction, Centerstage’s current production offers just the right blend of hilarious hi-jinks and smart references to other cultural touchstones, from performers tap-dancing across the stage in egg costumes to a bounty of Shakespearean and theatrical allusions.
Originally created by Karey Kirkpatrick, Wayne Kirkpatrick, and John O’Farrell, “Something Rotten!” is a fictional story set in Renaissance England. Two brothers (Nick and Nigel Bottom) are trying to write a great new play, but can’t compete with the success of their contemporary, who happens to be William Shakespeare. Nick visits a soothsayer to learn what type of theatre will capture audiences in the future, and when he’s informed that musicals will be the next big thing, embarks on a journey to both pen and produce one.
Centerstage’s production of “Something Rotten!” features a talented 20-person ensemble. David Breyman leads as Nick Bottom and does an excellent job capturing Nick’s frustration in both his career and personal relationships, and how his longing to create a better life leads him to some bad choices. I was particularly impressed at Breyman’s ability to convey all that even during the parts sung very quickly, of which Nick has quite a few. Opposite him as Nigel Bottom is Travis Tingvall, who is vocally just as strong, and provides a lovely contrast with his earnestness and upbeat attitude. Together, they depict a strong sibling bond that beats as the heart of the show, even when the brothers are at odds with one another.
Other standouts in the cast include Mauro Bozzo as William Shakespeare, who does a hilarious job swaggering about the stage while speaking in a posh British accent; Sophie Sen as the soothsayer, who can captivate the audience with both her impressive singing and impeccable comedic timing; and Kat Elliot as the minstrel, who charms and narrates to the audience throughout with welcoming humor. Although a few ensemble actors struggled in places to keep time while singing or dancing, I was at a dress rehearsal, so I am confident they will iron out these hiccups for future performances.
Centerstage’s “Something Rotten!” is a spectacle all-around. Lead choreographer Rylie Latham and associate choreographer Nataline Wingerter have created numerous dances, from duets to group numbers, with choreography ranging from lovely period-esque courtship dances to more contemporary jives. I especially loved the number about musicals and the incorporation of everything from tap to jazz. The costumes (designed by Krista Lofgren) are convincing Renaissance ensembles that still allow each character to reveal their personality, such as Shakespeare’s suave leather pants and open vest. The set is both beautiful and versatile, comprised of various Tudor buildings that can be quickly repositioned (scenic design by Niclas Olson; set dressing by Jeff Wallace Jr.; scenic art by Atlas Peek and Tori Dewar).
If you want to enjoy refreshments before or during the show, check out the themed cocktails offered in the lobby. The “Bottom’s Up!” is a refreshing blend of Aquavit from Blackfish Distillery, sherry, triple sec, and a splash of water. If you prefer a fruitier drink, try the “Sweet Sonnet,” which melds Blackfish vodka with peach schnapps plus sweet and sour mix. There is also an array of non-alcoholic drinks and snacks available for purchase.
“Something Rotten!” runs through June 15. Performances occur Friday evenings, Saturday evenings, and Sunday afternoons. Tickets are $39 advanced sales, $42 at the door. Seniors (65+) and military: $34. Students (under 22): $18. Show times are 7:30 p.m. Fridays and Saturdays and 2 p.m. Sundays. Visit centerstagetheatre.com.
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Anna Tatelman is a playwright, lyricist, and non-fiction writer who holds an MFA in Creative Writing from the University of New Orleans. She has been featured or quoted in publications such as Forbes, Indeed.com, The Sound on Stage, Techopedia, and POPSUGAR. Read more of her work or connect with her online at www.annatatelman.com.
